Grenache Blanc's Moment in the Sun

A decade ago, there was a flurry of interest around Syrah.  A few years ago, it was Grenache.  This spring, it seems to be Grenache Blanc's moment in the spotlight.  In February, within a week of each other, I got phone calls from the Wine Spectator's MaryAnn Worobiec and the Wine Enthusiast's Matt Kettmann, each looking for insight into this grape that had impressed them in recent blind tastings.  The results of these conversations were published recently. [The Wine Spectator article is available behind their paywall, and the Wine Enthusiast article is free access.]

Grenache blanc rows in May

Why Grenache Blanc, and why now?  I've got a few theories.  

Grenache Blanc has an unusual and appealing combination of bright acids and full body.  
There are a few other grapes that can hit this, in the right climates (Riesling in a cold environment, or Chardonnay in a cool one, are two) but most white grapes exist somewhere on the continuum between bright and lean on one end, and rich and soft on the other.  Grenache Blanc, like its red-skinned cousin1, is a grape that typically comes in at high sugars (providing glycerine and richness) and high acids (providing freshness).  Take a look at its numbers from 2014 (our last relatively normal vintage) compared to our other white grapes:

Grape Avg. pH Avg. ° Brix
Viognier 3.51 20.8°
Marsanne 3.82 19.2°
Grenache Blanc 3.33 22.9°
Picpoul Blanc 3.17 22.0°
Roussanne 3.83 21.0°

The pH differences between Grenache Blanc and the Roussanne / Marsanne / Viognier trio is even more significant than the above chart likely suggests.  The pH scale is a logarithmic scale (so, a solution with a pH of 3 has ten times the acid concentration as one with a pH of 4, and one hundred times the acid concentration of one with a pH of 5, etc).  This means that Grenache Blanc, with a pH of 3.33, has 50.7% more acid ions than Viognier (pH 3.51), 214.4% more acid ions than Marsanne (pH 3.82), and 217.3% more acid ions than Roussanne (pH 3.83).  It's no wonder that even a small addition of a higher acid grape like this can have a major impact on the taste of a finished blend.2

And yet, with many high-acid grapes, you run the risk of thinning out the mouthfeel of a wine.  Not Grenache Blanc.  You can see from the above chart that even though its acids are high, it also has the highest average sugar content at harvest.

Grenache Blanc's ideal climate matches California's well.
For many of the world's most popular white grapes -- I'm thinking Chardonnay and Sauvignon Blanc here -- California is a challenging climate because of its sun and its warmth.  These grapes reach their peaks in relatively cool parts of France, and so in California, growers are searching for sites that have significant marine influence, or fog, or extreme altitude, because otherwise they end up picking in August and making wines without much complexity.  There just aren't that many spots like this in California, particularly not after you realize that most of these climates are also highly desirable as places to live.  Grenache Blanc is originally from Spain, whose warm, sunny climate far better approximates most of California's than does that of Burgundy, or of the Loire.  There are far more places where Grenache Blanc is likely to do well. So, whether you're looking in Paso Robles, in Santa Ynez, in Dry Creek, or in El Dorado, you're going to find people doing a good job with Grenache Blanc.  

Grenache Blanc is productive and relatively easy to grow.  
There are grapes that we feel like we fight with each year, either in yields or in keeping it balanced.  Viognier is famously low-yielding.  Roussanne and Marsanne (and Viognier, for that matter) pose challenges in keeping acidity levels while you wait for ripeness.  Viognier and Roussanne are both susceptible to drought-induced stress symptoms.  But Grenache Blanc is pretty easygoing.  Its yields are naturally higher than our other white grapes; over the last 10 years, it has averaged a healthy 4.2 tons/acre here, better than Marsanne (3.7 tons/acre), Picpoul (3.4 tons/acre), Roussanne (2.8 tons/acre), or Viognier (2.4 tons/acre).  This means that people can produce Grenache Blanc at a reasonable price, which translates into more affordable wines and more opportunities to get it in front of potential new customers.

Grenache Blanc blends well, but it's also good on its own.  
We originally planned to use our Grenache Blanc as a complement to our Roussanne and our Viognier, as is typically done in the Rhone.  And we still use Grenache Blanc as a supporting player in our Esprit de Tablas Blanc (behind Roussanne) and Cotes de Tablas Blanc (behind Viognier), as well as in a starring role in our Patelin de Tablas Blanc (along with Viognier, Roussanne, and Marsanne).  In a blend, it adds brightness, rich mouthfeel, sweet anise spice, and green apple fruit, all flavors that are easy to like and easy to incorporate.  But it has exceeded our expectations as a varietal wine.  We first bottled our Grenache Blanc in 2002, and we haven't missed a vintage since.  Part of the reason why is that, at least at first, it was new to many people, and having it on its own was a great educational tool.  But the more time we spent with it, the more we came to appreciate that it's a worthy and appealing grape on its own, textural and rich, bright and lively, with sweet spices on the attack and a dry finish.

Grenache Blanc ready for harvest

So, it's little surprise to me that in the last decade, Grenache Blanc plantings in California have grown from 101 acres to 333 acres, an increase of 229%.3  And based on all the reasons it's done well in recent years, as well as the new attention the wine press has been giving it, I fully expect this growth to continue.  It couldn't happen to a more deserving grape.

Footnotes

1 There is also a pink-skinned variant (Grenache Gris). For a longer dive into Grenache Blanc's history, characteristics, and family relations, check out this blog from 2010.

2 You might note that Picpoul shares most of the characteristics of Grenache Blanc.  It's one reason that if I had to lay bets on which Rhone white would be the next to be "discovered", Picpoul would be my answer.

3 Over that same 10-year period, Roussanne acreage has increased 96% to 347 acres, Marsanne acreage 90% to 131 acres, and Viognier acreage 34% to 2969 acres. Picpoul isn't sufficiently planted to be included in the California Grape Acreage Reports, which require 50+ acres to escape the category of "other".


What's in a (category) name? Maybe a lot.

One of (the literally hundreds of) Shakespeare's phrases that has entered common English parlance is Juliet's question to Romeo, "What's in a name?".  She continues, "That which we call a rose by any other name would smell as sweet" with its implication that names are labels given meaning by those of us who use them, but that there is an essential quality that is independent of the name it carries.  One of the risks of any enterprise is that once you've assigned a name to something, you assume that the other people who hear or read that name understand its relationship to the essential idea described the same way that you do.  Industry jargon is only the most obvious example of this; in many cases the consequences of naming (or mis-naming) something can be much more subtle.

Those of you who have followed Tablas Creek are likely familiar with the vintage chart that we created back in 2006 and have updated roughly quarterly ever since.  With it, we try to help our fans be as informed as we are as to where in its evolutionary life each of our wines is at the moment.  After all, it's in our interest as much as our fans' that the wines that they open be drinking well, and there's no way even the most dedicated Tablas Creek follower is going to be opening as many of our wines, across as many vintages, as we do.  Sharing our experiences seems to me like the least we can do.    

Vintage chart in use
The vintage chart, in use in our tasting room

For the last several years, we divided up the wines into the following categories:

  • Hold - Too Young
  • Early Maturity: Drink or Hold
  • Peak Maturity: Drink or Hold
  • Late Maturity: Drink
  • Hold - Closed Phase
  • Past its prime

Most of these seem self-explanatory enough, except for perhaps "hold - closed phase", whose depths I dove into in a blog post from 2011.

Vintage chart Jan 2016 #2However, in recent months I've gotten a spike in comments from people who have been waiting and waiting on many of our wines to move from "Early Maturity" into "Peak Maturity". Since I've wanted to see some secondary flavors in a wine before moving it between these categories, this has meant that often several vintages accumulated as they waited -- with some wines, for a decade -- for wines to get to their peak.  Now, we're proud that many of our longer-lived wines should age for two decades.  But I also understand our fans' frustration that gratification delayed so long isn't particularly gratifying.  And my idea was never to encourage everyone to wait for full maturity, missing out on wines' juicy vigor.  That "early maturity" phase makes for wonderful drinking, and I almost certainly open more wines then than I keep until those secondary flavors start to show.  Yet it seemed that what I'd hoped would be helpful was becoming, for some followers at least, a burden.  And I understood why.  Wouldn't you, too, like peak enjoyment out of a purchase?  So, in the today's update to the vintage chart, I renamed the different categories as follows:

  • More Aging Recommended
  • Drinking Well: Youthful
  • Drinking Well: Mature
  • Late Maturity (Drink Up)
  • Hold - Closed Phase
  • Past its prime

I am hopeful that this change, minor as it seems, will continue to protect our fans from wines in stages likely to be disappointing while removing the stigma from opening a wine in its (relative) youth.  This change is in keeping with my suspicions of drinking window recommendations (think: "best between 2025 and 2033"), and the idea that there is a single peak when wines should be drunk. This is not to deny that wines can be too young to be truly enjoyable -- often with red wines, when tannins are so powerful, or the fruit is so thick and primary, that they dominate the other elements.  Or that wines can be too old, when the steady work of oxygen and time in breaking down tannins and other structural elements leave a wine tired and flat.  But between these two extremes lies a wide range of experiences during which the wine is in balance.  A consumer who prefers wines to show brighter fruit would typically drink wines earlier in this window.  Another who prefers her wines earthier and meatier might drink them later in this window.  

Or, if you're like me, and love to watch as wines move into different harmonies between fruit, acid, tannin and earth, you might consciously open wines at different phases.  It wasn't Shakespeare who said "Life is a journey, not a destination." (that was Ralph Waldo Emerson), but if what's in a name can encourage more people to enjoy the journey, I'm all for it.


Traversing the wine business - Q&A with Tablas Creek's National Sales Manager Darren Delmore

By: Lauren Phelps

I visited a while with our National Sales Manager Darren Delmore to get the inside scoop about the wine business from his very unique perspective.  Darren has a fascinating past as a published writer, professional surfer, winemaker and now travels the country educating people about Tablas Creek wine.  Darren is also is a husband, and a father of two adorable children, Shea and Canyon.

Winemaking Forrest
 

Where were you born and raised?

I was born in San Luis Obispo, California and grew up in Arroyo Grande and Shell Beach.

When and how did you get into wine?

I started with working in restaurants; both my parents owned restaurants while I was growing up. I went to a distributor tasting when I was 21 with local wineries and it blew me away. Then I found myself growing more and more interested in wine. That set me off on a path to learn how to make wine for the next ten years.

What has been your career path to where you are?

My first harvest position was in Humboldt County, of all places. I worked there for two years followed by a complete harvest internship at Bonny Doon. From there I moved back to the Central Coast and started working in tasting rooms at Eberle and managed the tasting room for Saucelito Canyon.  Tasting rooms are another piece of the industry that was new to me and that was interesting. I also found myself, after a few years, wanting to get back into making wine. So I went to live in the middle of nowhere in Cazadero and worked for the Hirsch family. It was an hour to the grocery store, there was no internet in my little cabin, and there was no phone service… it was a decompression time. Also, I completed two-hemisphere harvests for two years in a row in Australia and that kind of completed everything I wanted to know about making wine. Even with all that experience it would have been difficult to get a winemaker position without a degree in oenology. So when I was up for an assistant position and Jillian and I had our first baby on the way, I ran into Tommy Oldre, the previous National Sales Manager for Tablas Creek. Tommy had just accepted a new position at Vineyard Brands and he suggested I apply for the open position at Tablas Creek.  I had always wanted to work at Tablas Creek so I jumped at the opportunity. It was a frantic summer, I was up for two jobs, an assistant winemaking position in Anderson Valley and the sales position at Tablas Creek, plus we were 8 months pregnant with our first child. Surprisingly, I heard back from both jobs on the same day! We talked it over and I accepted the Tablas Creek position on August 1st. I started the job on August 6th and we had our baby Shea on August 18th… 2012 was a whirlwind year!

What are your main responsibilities at Tablas Creek?

The main responsibilities are scheduling market work with distributors on a monthly basis, traveling to those appointments, bringing the new wines and tasting them with sommeliers, wine directors, and shop owners. We invest a lot to go out to work the market for a three day stretch and the pre-planning is huge; the work that we do there is key because we’re meeting 5-6 individuals a day and I can’t come off being short with someone at the end. We’ve got a short period of time and you’ve got to connect with people on those days in a unique way so they will have a better experience. I focus on conquering the agenda that’s been set for me in the morning and try to be cheery and try to relay the story and the wines in a personalized way for everyone.

What new industry trends are you most excited about, and why?

I’m seeing smaller wine lists that are often times one page next to the food menu. I’m seeing smaller menus with more well chosen wines from around the world with lower mark-ups. There are more restaurant concepts that are appealing to the “millennial diners” where you’re not handed the tomes of a wine list anymore that are 100 pages. You’re seeing these really cool restaurants that are popping up with less large entree portions, more small plates, more fun, looks more affordable with wine lists that are just more adventurous and encompass the whole world.

Another trend I’ve been seeing is an expansion in the keg wine programs at restaurants. I think that’s also offering a value and a way of thinking about wine seasonally. People are maybe paying more attention to what to drink at certain times of the year.

What’s your biggest challenge as a Sales Manager and Wine Educator?

One of the biggest challenges is getting the distributors to continue the momentum we start when we do our week in the market. So that falls into the follow up of these trips and how to do that effectively. That’s probably the biggest challenge. If you remember something that rep was into that you were into… it’s important to find non-superficial ways to stay connected with those people. Because we’re so small… and for some of these distributors, they’re bombarded with eighty people, large brands too, in a month and finding a way to stay on their radar and keep them excited about Tablas is challenging.

What would you change about the wine industry if you could, and why?

I would lower the intimidation level for consumers. There are still people who are scared to go wine tasting because they feel like they might not have enough money, or a certain type of lifestyle that make them feel comfortable doing it. Honesty, I think a lot of people didn’t know what wine tasting was until the movie Sideways came out. I do think there is still a level of intimidation and I see folks working in the wine business who aren’t as eager to see the intimidation lessened. So I would like to see that happen. There is so much more information available now but there is still a disconnect about how wine is made and what goes into it.

What’s your favorite wine region in the world – other than Paso Robles?

My favorite wine region overall would be the Rhône, rather than just one district of it, there are pockets of it that are incredibly undervalued and I think there is a lot of mystery to all the different villages and regions that keep the prices down and I think they’re the best value overall for what you get if you can figure out what you like and how to get them. With a lot of domestic regions and the more famous regions you’re just never going to get that and so I think the Rhône still delivers.

How do you spend your days off?

That has certainly changed a lot over time. I used to spend my days off surfing. But now I spend so much time traveling that when I’m home I have to give Jillian, my wife, a much needed break. My days off now are with the kids. And most of those days are spent just doing dishes.

What would people be surprised to know about you?

I worked at a tofu factory in Arcata California. I was the “curdler”… they hired be because I have long arms, on the spot.

If you weren’t working in the wine industry for a living, what would you be doing?

Working in publishing somehow or running my mom’s restaurant, Del’s.

How do you define success?

There’s a good quote from Planes, Trains and Automobiles on that one, “Like your work, love your wife”. Because you’ve got to balance it all. If you’re doing something you’re passionate about and you can keep that in balance, that’s success.


What's next for the new Paso Robles AVAs

Last month, I had the pleasure of sitting on a panel discussing the process behind and prospects for the 11 new Paso Robles AVAs (short for American Viticultural Areas). This panel was a part of a conference organized by the Continuing Education of the Bar (CEB), for attorneys interested in wine law from around California.  Joining me on the panel were Steve Lohr (of J. Lohr Vineyards & Wines, another founding member of the Paso Robles AVA Committee) and Carol Kingery Ritter (of Dickenson, Peatman & Fogarty, the law firm that shepherded the AVAs through the federal approval process). [Map below, courtesy of Paso Robles Wine Country Alliance. Click to enlarge, or here for a PDF that also includes descriptions of the sub-AVAs.] 

AVA Map w 11 AVAs

Much of the discussion focused on how the AVAs came to be: the genesis of the idea, the research that took place to discover and support how to draw the boundaries, and the convoluted process that took place once the petition had been submitted to the TTB, lengthened by the TTB's decision to reconsider the fundamental nature of AVA labeling after receiving the submission.  I've written about all of these, and particularly the TTB's struggle with the concept of nested AVAs, on the blog in the past (you can find them all by scrolling through the Legislation and Regulation category tag).  I won't repeat those thoughts here, though I encourage anyone interested in the often convoluted regulations that govern the production, marketing and sales of wine to explore the archive at their leisure.

More interesting, to me, were the questions I received about why I thought the approval of the AVAs a good thing for Paso Robles, and how I saw them being used in the marketplace.  I'll dive into both topics in this blog.

Why the 11 AVAs area a good thing for Paso Robles

For me, there are three main reasons why the approval of the AVAs are good for the Paso Robles region as a whole.  

  1. Their approval is a concrete data point that the region is maturing. When the Paso Robles AVA was first proposed and approved back in 1983 it contained only five bonded wineries and fewer than 5000 planted acres of vineyard.  Big swaths of the AVA, including the area out near us, were largely untouched by grapevines.  In the last thirty years, Paso Robles has grown to encompass some 280 wineries and 32,000 vineyard acres.  Until the new AVAs were approved, it was the largest unsubdivided AVA in California, at 614,000 acres. By contrast, the Napa Valley appellation (which includes sixteen AVAs delineated within its bounds) is roughly one-third the area at 225,000 acres. The growth of the region has been a story in itself in recent years, but the approval of the AVAs is something tangible and official that encourages press, trade and consumers to take a new look at what Paso Robles has become. 
  2. The approval was done collectively, as a region.  There were 59 different Paso Robles growers and wineries involved in the Paso Robles AVA Committee, and the work was done hand-in-hand with the Paso Robles Wine Country Alliance.  This cooperation allowed the region to push (and eventually pass) a conjunctive labeling law, which guarantees that any winery who uses one of the sub-AVAs on their label will also be required to state Paso Robles equally prominently.  This safeguard ensures that the region will keep the accumulated marketing capital that we've all been working to build in the national and international marketplace.  And the cooperative nature of the AVA Committee reinforced the bonds of our community, which is in my experience a rare and valuable point of distinction for Paso.
  3. It provides a framework for wineries, sommeliers, and wine educators to discuss the incredible diversity of Paso Robles.  Those of us making wine here have been talking for years about how varied the climate, soils, and geography are in Paso Robles, and largely relying on anecdotal descriptions to support our points.  The research that went into the AVAs puts these facts at our fingertips, and facilitates the discussions that show why Paso Robles can make world class wines from grapes as diverse as Cabernet, Syrah, Roussanne, Mourvedre and Zinfandel.  As a quick summary: 
    • The Paso Robles AVA stretches roughly 42 miles east to west and 32 miles north to south. 
    • Average rainfall varies from more than 30 inches a year in extreme western sections (like where Tablas Creek is) to less than 10 inches in areas farther east. 
    • Elevations range from 700 feet to more than 2400 feet. 
    • Soils differ dramatically in different parts of the AVA, from the highly calcareous hills out near us to sand, loam and alluvial soils in the Estrella River basin. 
    • The warmest parts of the AVA accumulate roughly 20% more heat (measured by growing degree degree days) than the coolest.  This difference in temperatures is enough to make the cooler parts of the AVA a Winkler Region II in the commonly used scale of heat summation developed at UC Davis, while the warmest sections are a Winkler Region IV.  This is the equivalent difference between regions like Bordeaux or Alsace (both Winkler II areas) and Jumilla or Priorat (both Winkler IV areas).

How I expect to see the AVAs used in the marketplace

A criticism that I see commonly tossed out by the opponents of new AVAs (and not just Paso Robles') is that an AVA may be approved before it has meaning in the marketplace.  To me, that's putting the cart before the horse.  At the time ours were approved, really only the Templeton Gap AVA had any particular association in the market, and that was mostly as a geographical feature more than as a delineated area (in fact, much of what locals refer to as the Templeton Gap lies west of the Paso Robles AVA entirely).

Given that relative lack of market knowledge about the sub-regions of Paso Robles, should the TTB have denied the petition?  If they had, it's hard to see how these regions could ever be recognized.  Drawing the lines is an essential step in allowing those regions to develop an identity.  At that point, it's up to the wineries within (or at least, who source grapes from) those regions to make their names.  If they're successful at associating the region with quality and distinctiveness, the market will follow.  What is key is that the lines are drawn using good science, and I think that it's here that the Paso Robles petitions were particularly strong.  The climate, soils, and elevation studies that went into the proposals were the most comprehensive that the TTB has ever received, and I believe they will stand the test of time.

To get a sense of how we're using the new AVA designations, take a look at some of the wines that we bottled during the second half of this year.  You can see several (Tannat, Petit Manseng, Mourvedre, Cotes de Tablas Blanc, and Panoplie) with the new Adelaida District AVA noted.  The Patelin de Tablas, which incorporates fruit from four of the sub-AVAs, retains the umbrella Paso Robles AVA.  The Full Circle Pinot Noir, sourced from my dad's property about 8 miles south-east of us, carries the Templeton Gap AVA (click the photo to expand it):

LG Group

The distinctions between these different labels will make it easier for us to tell their stories: whether they are estate or not.  Whether they are single-vineyard or not.  Whether they are from our home vineyard or not.  And the fact that they all say Paso Robles should keep the market from being confused as to the bigger picture.

If I had to look into my crystal ball, I'd guess that of the 11 AVAs, there will be 4 or 5 that will achieve some market recognition within the next few years.  There will be another 2 or 3 that will achieve it, but somewhat later.  And there will be a few that never achieve much recognition in the market, either because there doesn't develop a critical mass of wineries located within that AVA to champion their AVA, or because the wineries that are located there decide that they would prefer to remain associated with Paso Robles rather than their sub-region.  And that's OK.  How many AVAs can anyone but the most bookishly-inclined sommelier name?  Even among wine lovers, most would be hard-pressed to name more than 30 of the 231 approved AVAs (as of November 2015).  If Paso Robles can add a few more to the common lexicon, it's a win for all of us here, and for wine lovers everywhere.


The 11th annual Tablas Creek Vineyard pig roast dinner

By: Lauren Phelps
We hosted our 11th annual Pig Roast dinner on Saturday evening, August 15th and wanted to share some of the images and a bit of information about this event.  Over 120 guests joined us for a family-style meal on our terraced patio with wines paired from our cellar.  The meal was collaboratively prepared by our very own Winemaker, Neil Collins and local Chef, Jeffery Scott

Tablas_Creek_20150815_182833_2000It was a beautiful evening, and relatively mild for August in Paso Robles.  As the sun set behind the tasting room the breeze brought in cool marine air.

Tablas_Creek_20150815_193044_2000Our very own Darren Delmore and his brother who make up the duo, The Delmore Boys set the tone with their Americana guitar tunes.

Tablas_Creek_20150815_190304_2000Many Tablas Creek team members and their families attended the event including, Neil Collins, Chelsea Franchi, Jason Haas and Nicole Getty.

Tablas_Creek_20150815_190617_2000This year, Neil roasted the 350 pound estate-grown pig for over 12 hours using a modified iron-cross roaster with oak from our property. Chef, Jeffery Scott contributed incredible appetizers and sides using locally-sourced and organic ingredients.

TABLAS CREEK PIG ROAST

SATURDAY AUGUST 15th, 2015

CHEF JEFFERY C. SCOTT

 UPON ARRIVAL

CHILLED SUMMER MELON CUPS
GINGER CRÈME FRAICHE

  TABLAS ESTATE LAMB CRUSTADE
MOROCCAN SPICES, ROSEMARY HUMMUS

DINNER FAMILY STYLE

 HEIRLOOM TOMATO & WATERMELON
FRENCH FETA, SOFT HERBS, BALSAMIC CREMA

TOASTED PEARL COUSCOUS
PINE NUTS, SULTANAS, CURRANTS, FENNEL CONFIT

SHEEP’S MILK YOGURT TATZIKI

MASON JARS OF CAPONATA

HUSH HARBOR RUSTIC BREAD

________________

 EMBER ROASTED TABLAS CREEK ESTATE PIG

AMARETTO-APRICOT GLACÈ

 LOO LOO FARMS GARDEN PAELLA
PORCINI STOCK, LINGUICA, ROMESCO

 CUMIN GLAZED CARROTS & CHARRED SUMMER SQUASH
ROASTED GARLIC, LOCAL GOAT CHEESE, LEMON THYME

______________

BLUEBERRY-PEACH COBBLER

OLIVE OIL GELATO, CINNAMON BASIL

Tablas_Creek_20150815_184259_2000

We paired the meal with the 2014 Grenache Blanc, our 2014 Dianthus, the newly released 2013 Mourvedre and our flagship red wine, the 2011 Esprit de Tablas, that we brought up from the library.

Tablas_Creek_20150815_194257_20003

We'd like to thank all of the guests who joined us and invite you to view additional photos by Patrick Ibarra Photography on our Pig Roast Dinner Flickr Album

Also, we are thrilled to announce that the Cooking Channel's, Man Fire Food will be airing an episode on September 15th highlighting our pig roast dinners! We're really looking forward to watching it.

The date for the 2016 pig roast has not been set yet and we recommend periodically checking our Upcoming Events page for more details.  We give priority invitation to our wine club members and seating is very limited.


Through the glass doors: 360° views of Tablas Creek Vineyard, courtesy of Google

By Lauren Phelps

When you have a limited amount of time to visit a new place for example, how do you decide where to visit?  If you’re anything like me, you type the name of the location into Google and see what pops up.  Well, today if you Google "Tablas Creek Vineyard", a new feature is available that gives you an insider's look (literally) into the tasting room, tank room and surrounding grounds which should help visitors fine-tune their itinerary.

The new tool is a part of Google Maps, which has expanded beyond the basics of maps and directions in recent years.  First they added reviews of the businesses, through Google+.  Then, they added the option to "see photos", which are taken from our Google+ business page.  Now, they've added a new option, to "see inside":

Search Result_475

Once you've clicked on this option (try it here full screen, or use the smaller windows below), you can cruise virtually around the main tasting room, venture into the private and semi-private tasting rooms, and even wander our patio.  You can rotate your view 360° in any of the rooms or locations.  It's a fun and novel way to get a sense of what you'll see when you visit.  An interior view:

From the outside:

Another benefit of creating the virtual tour is the still photography that the team that Google sent out (Evolving Photography) took and uploaded to our Google+ account.  A few of my favorites are below:

Tablas Creek Vineyards 17
Tablas Creek Vineyards 27_475
In many ways, what Google did overlaps the Virtual Tour that we produced in-house a couple of years ago, though the virtual tour takes people out into the cellar and vineyard, and adds narration by our Winemaker, Neil Collins.  But the benefit of having this tour be a part of the Google page where people searching for us land is enormous.  Even though we love it, we've struggled to get more than a few dozen views per week on our virtual tour.  We're hopeful that lots more eyes will see Google's "see inside".

Our new view is part of a concerted effort by Google; Wine Spectator posted an article today noting that we're one of 78 wineries (and 10 breweries) in California for whom Google has completed this expansion of their "street view" footprint.

We hope that the Google Tour will join our Virtual Tour as interesting and useful tools that will give potential visitors another reason to visit Tablas Creek Vineyard.  Please, let us know what you think.


Is Facebook Even Worth It Anymore?

In late 2013, I wrote a blog piece titled What Facebook's News Feed Changes Mean for the Wine Community.  In it, I shared Facebook's warning to the owners of their pages that they were going to be reducing posts' organic reach, in order to prioritize friend-to-friend content over business content.  Of course, page owners who wanted to reach more of their fans would be able to pay for that reach.

It's clear, a little more than a year later, that Facebook's changes are in full effect. At any given level of engagement (measured by Facebook) the percentage of our page's fans who we reach with a given post is roughly half what it was in 2013. For our image posts:

Facebook Post Reach by Engagement 2015

It also seems like it's getting worse.  Looking at our image posts with our most common levels of engagement (11%-14%) the percent of our fans we've reached has gone down steadily each month so far in 2015:

Facebook Post Reach by Engagement by Month 2015

It also seems that Facebook has changed which sorts of posts get higher reach.  It used to be that images, which offer the easy opportunity for interaction through a simple click, got good reach compared to links or text posts.  Our experience in recent months has been that images have been increasingly difficult to have reach a high percentage of your fans.  Text posts, which are hard to interact with, are equally difficult to spread widely.  Links are harder to get high engagement totals on, but it appears that when you do, Facebook gives those posts signficantly broader reach.  The below post that we shared this week reached nearly 42% of our total fans, our highest total of the year, at a 14% engagement rate.

We're in good company in this picturesque piece in Palate Exposure: "Top Fifteen Wineries of Paso Robles"

Posted by Tablas Creek Vineyard on Monday, March 23, 2015

Two sorts of posts appear to be easiest to get served to those who have liked your page.  First is video.  We've posted seven videos so far this year.  They have garnered an average 10% engagement rate, and have reached an average of 22.6% of our fans: more than double the reach, on average, of our image posts with the same engagement.

The second type of post that seems to get good reach is the multi-image post, where fans are encouraged to click between the images to see the full content you've posted.  We've posted seventeen such posts this year, and they've achieved an average 16.2% engagement rate and have reached an average of 14.6% of our fans per post.  And yet this is discouraging in its own way.  We had six multi-image posts that achieved at least 19% engagement.  These posts reached, on average, 18% of our fans.  Facebook has decided that even these all-star posts, interesting enough to engage a massive 20% of the people who saw them, aren't worth serving to 82% of the people who have self-declared as your fans.

So, if you're running a Facebook page for your company or your organization, what should you do?  It seems to me you have three options, not mutually exclusive. 

  1. You can continue to work to make great content, and resign yourself to the reach of this content in most cases growing smaller over time.  This has the advantage of being free, except for the opportunity costs and staff time of producing this content. Just adjust your expectations.
  2. You can invest more significantly in video.  A glance at your own Facebook feed should demonstrate that Facebook is interested in serving more video to its users as it focuses on cutting into YouTube's head-start in the video arena.  These posts are typically somewhat more involved to make, but Facebook is rewarding them with greater reach.
  3. Finally, you can pay to sponsor your posts.  Even at relatively modest levels, doing so gives you much greater access to your fans and to those who you target, whether they be friends of your fans or others that fit specific demographics or interests.  We've paid to promote four posts so far this year, and have had these posts served something like 5000 extra times for each $20 we've spent.  Given that our average post is reaching something like 800 of our fans organically, if we were to choose to promote one post a week, at $20/post, we might be able to double the total number of views of our content at an annual cost of around $1000.  That's hardly exorbitant. 

Sadly, I don't see Facebook making changes that allow for a return to the conditions of a few years ago, where businesses and organizations could pay to acquire new fans, or to target connections of their fans, while taking access to those fans for granted.  But given that there is no other social network that has remotely Facebook's user base, and that the changes that the company has made aren't likely to drive those users away, it's worth deciding the appropriate level of investment for your group to remain in the Facebook game.  Sure, you can -- and should -- continue to post to Twitter and Instagram, but doing so is not a replacement for engaging the 1.2 billion active monthly users on Facebook.  Just know that the era when a small businesses can treat Facebook as the centerpiece of a no-cost marketing plan is over, and it's not coming back.


Toasting the 49ers "Appellation 49"

By Robert Haas

Just after Christmas, Jason and I had the fun and honor to be invited to pour Tablas Creek for guests at the last 49ers game of the season.  The sparkling new Levi's Stadium has built-in wine bars incorporated into their club boxes, and the team invites eight wineries each week to show their wines to the fans sitting in that section. We poured before the game and during the half, and were able to watch the 49ers win from one of the boxes, whose owners we'd met during the pouring.  Yes, it was a down year for the Niners, but still, what a treat!

49ers2014_game

49ers2014 wall

It is wonderful to see how the 49ers have built their connection to California's wine country, and how they celebrate it at the games.  The program started, in a small way, with an invitation to the owner's box at Candlestick Park on the occasion of their first home game in the fall of 2002.  We were thrilled that, way back then, Tablas Creek was the winery chosen to inaugurate the tradition.  Over the next decade, a different winery was chosen to present its wines at each subsequent game.

49ersOn that first occasion, my wife Barbara and I (right, with team owner Dr. John York) joined Jason and his wife Meghan on the trip.  We watched the game from the York family box and got to join a tour of the field where we watched for a few minutes from the sidelines.  I strongly remember Terrell Owens catching a pass and heading my way with terrifying speed and power.  I stepped way back.  And oh yes, by the way, we met other invitees Senator Diane Feinstein, chef Thomas Keller, Mayor Willie Brown, running back Roger Craig, and baseball Hall of Famer Orlando Cepeda who also dropped by.  Quite a day, and a pleasure to get to spend some time with the 49ers owner, John York.

Family at 49ers Game 2013Last year, the 49ers commemorated Candlestick Park's final season with a "greatest hits" recap of the wineries who'd been invited over the previous decade.  We were again honored to receive an invitation from Dr. York, and I made the trip up with Jason and Meghan, and their son Eli (right) to watch the team defeat the Arizona Cardinals.

Since the team's move to Levi's Stadium this year, the program has been expanded and acquired a name: Appellation 49. With eight wineries showing wines in the atrium at the club level, wineries get to meet several hundred fans at each game, and over the course of the season, owners of the boxes get to taste the wares of 80 different wineries.  If they like something, they can order it from their box. A portion of the proceeds go to the 49ers Foundation, which does great work in the Bay Area community year-round.  Different than before but still great fun, and probably more valuable promotion for us as a winery.

It's clear that this connection with the local wine community is something that the York family values and is looking to build. Any time they ask us to help with this particular bit of bridge-building, we're happy to oblige.

JCH and RZH with John York


Weekly Roundup for November 30th, 2014: Giving Thanks, Giving Back, and Getting Wet (Hopefully)

This Thanksgiving week, some of the things that most intrigued us in the world of wine do had to do with thanks (and giving) but also, as we look forward to a week of potentially signficant rain, at our drought and at a growing movement toward dry-farmed vineyards.  Finally, for our thought piece, I wanted to share a lyrical view of our beautiful Central Coast.  The highlights:

Giving Thanks

Giving Back

On Drought and Dry-Farming

  • At the beginning of November, I went up to San Francisco for an event co-sponsored by the Commonwealth Club and the Community Alliance with Family Farmers (CAFF).  It began with a panel discussion on the feasibility and benefits of dry-farming wine grapes and concluded with a walk-around tasting of dry-farmed wines (you can listen to the panel discussion here). With our current drought, I'm seeing renewed interest in the potential of dry-farming grapevines.  This has to be a good thing, on both quality and sustainability fronts (I've written about our own reasons for dry-farming) and it was great to see the Los Angeles Times write a good piece on this small but growing movement.
  • Also this week, we got some good news from the NOAA, which has updated their forecast for this winter and is now saying "above average rainfall is now predicted". Read more »
  • Finally, on the rain front, we're looking forward to what is forecast to be a very wet week.  It is being awaited with great anticipation by the entire Paso Robles wine community.

Vineyard Ass-ets

Cline donkeys

  • We were excited to learn this week that we're not the only winery with two donkeys on staff! On the Cline Cellars Facebook page we met Fancy (left) and Pudding (right).  If you don't follow fellow California Rhone pioneer Cline (home region: Carneros) on social media, you should; their posts are consistently among the cleverest in the world of wine. And, they have donkeys.

Food for Thought (Beverage for Thought?)

  • We'll conclude this week with a paean to the Central Coast, written by UK Native, Napa resident and Master of Wine student Clare Tooley.  In her piece "Saints, Rogues and Kerouac" she writes of Paso Robles: "Paso is colourful and rogue-ish. Wild still, definitely not tamed. In vogue right now but definitely carving its own path."  The whole piece is worth reading: beautifully written and, I thought, right on.  Read more »

Weekly Roundup November 9, 2014

by: Lauren Cross

We're excited to debut a new "weekly roundup" feature on the blog. As many of you know, we enjoy reading and sharing content on our various platforms: Facebook, Twitter, Instagram and Pinterest.  Each Sunday, we will be compiling our favorites from the last week, focusing on our friends in our community, as well as sometimes a thing or two we've come up with ourselves and posted elsewhere. Here is this week's collection of our favorite wine related media posts.  Cheers to another winederful week from Paso Robles wine country, and please let us know what you think! 

Clever

What a clever idea for a coffee table!

https://www.facebook.com/ReverseWineSnob?fref=ts

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Good News

A huge congratulations to the entire Adelaida team for this achievement!

http://vimeo.com/110624913

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From TCV

We enjoyed the company of the Perrin and Haas families this week for our partner's meeting.  Just love Bob Haas' response in the comments of this post!

https://www.facebook.com/TablasCreek

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Educational

A great tool for sharpening your ability to detect corked wine.

http://winefolly.com/tutorial/how-to-tell-corked-wine/

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Humorous

 One of the funniest pins on pinterest ever!

 http://www.pinterest.com/pin/303993043571564892/

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From Twitter

We've been enjoying some truly thrilling sunsets here on the central coast this week!

https://twitter.com/TablasCreek

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