Congratulations to Winemaker Neil Collins, Paso Robles Wine Industry Person of the Year for 2019!

At the end of January, nearly 30 of the Tablas Creek team joined some 200 members of the Paso Robles wine community to celebrate our long-time winemaker Neil Collins, who was voted by his peers the 2019 Paso Robles Wine Country Person of the Year. You can read the official announcement from the Paso Robles Wine Country Alliance. 

Tablas Creek Winemaker Neil Collins - Landscape

With one exception -- the 1997 vintage, during which Neil was working at Beaucastel -- Neil has had a hand in every vintage of Tablas Creek. We first met him in 1994, when he was Assistant Winemaker at Adelaida Cellars, where we rented space to make our first few vintages of practice wine. By the time we'd gotten our French clones into production and built our winery in 1997, we'd become so impressed with Neil's work that we offered him our winemaking position and the opportunity to spend a year working at Beaucastel. We're honored that he's been here ever since. 

Along the way, Neil created two other businesses here in the Paso Robles area, and this award recognized these contributions at least as much as his winemaking at Tablas Creek. He started the Lone Madrone label with his wife Marci and his sister Jackie in 1996, through which he has championed dry-farmed vineyards on Paso's West side while focusing on heritage grapes like Zinfandel and Chenin Blanc, along with (of course) Rhones and the occasional parcel that was too good to turn down. Nebbiolo, anyone? And as if that wasn't enough on his plate, for the last decade he's been leading a Central Coast cider renaissance through his Bristol's Cider label and the Bristol's Cider House in Atascadero.

When my dad and Jean-Pierre and Francois Perrin started Tablas Creek, they felt pretty confident in their abilities to grow, make wine out of, and sell Rhone grape varieties. (As it turned out, that assumption was probably a little optimistic, but what great adventure ever gets started without a little unwarranted optimism... and anyway, that's a story for another day.) What they found in Neil, in addition to a man with relentless curiosity and legitimate hands-on winemaking chops, was someone who was steeped in Paso Robles. Although he's not a native, he spent his whole winemaking career here, from its early days with Ken Volk at Wild Horse through his extended stint with John Munch at Adelaida. I know that it meant a lot for him to have Ken, who gave him his first job in wine, be the one who presented his award at the Gala. I videoed the presentation speech:

You might well ask how he's able to run what is in essence three separate businesses while still holding down a full-time job here at Tablas Creek. That's part of what makes Neil special. He has a great ability to get things rolling, empower the people who work for him, and then keep tabs on the status of the many projects he's working on without having to (or, just as importantly, feeling like he has to) do everything himself. But it's not that he's content with the status quo. Far from it. His relentless experimentation is one of the things that has allowed Tablas Creek to grow and thrive the way it has under his watch. And it's one of the reasons why his lieutenants here at Tablas Creek tend to stay for the long term. I asked Senior Assistant Winemaker Chelsea Franchi, who's been here more than a decade herself, to share her thoughts on Neil, and I loved what she told me: "One of the things I love most about working with Neil is watching him build community and having the chance to be part of it. You see it in his close-knit family for sure, but it extends well beyond that. His groups of friends and colleagues, the family he's built in the Tablas Creek cellar team, his employees from Lone Madrone and Bristols - it's a true delight to be near someone who cares deeply about the humans around him."

I think you'll get a good sense of why people want to work with and for Neil from his acceptance speech:

It's an honor to call Neil a colleague and a friend, and I couldn't be more excited that he received this recognition. 


The Vineyard After a Wet December and a Sunny January is Impossibly Green

Last week, I commented on Twitter that we were entering the season where Paso Robles is absurdly beautiful everywhere you look. Don't believe me? Check it out for yourself.

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December's rain and a mostly sunny January have combined to produce an explosion of cover crop growth, and everything is the intense yellow-green that winter in California produces, so different from the summer gold. There are clouds in the sky to provide contrast to the brilliant blues, the angle of the sun is lower, and you feel like you can hear the grasses growing, making the most of their brief time when moisture is readily available. This morning seemed like a good time to get out on a ramble through the vineyard to document how things look.

Our flock of sheep, if you visit this week, is hard to miss. They've been moving up the hillside behind the winery (which we call "Mount Mourvedre" because that's what's planted there), spending just a day or two in each long rectangular block before being moved up the hill to new (yes, greener) pastures. From just inside our front gate:

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You may notice, looking past the solar panels, that there's a horizontal line a few rows below where the sheep are now. That's the boundary line between where the sheep were until this morning and the new section they just got into. We keep them in any one block no more than 48 hours, so they graze evenly but don't overgraze, and the grasses have a chance to regrow and build more organic matter this winter. Looking down the electric fence line makes it even clearer. The downhill section has been grazed already, while the flock is just getting started on the new uphill section they're in now:

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The cover crop, in areas the sheep haven't gotten to yet, is a little behind where it often is at this time of year because of how late the rain first arrived. But it's making up for lost time quickly, and is about four inches think already. You can see it clearly in this shot, looking uphill through our oldest Grenache block toward some endposts that mark the beginning of a north-facing Marsanne section. When I walked up the hill, there was a turkey vulture on each post, every one basking in the morning sunshine:

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Another view, focused on the vultures more than the green:

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Turning around and looking down the hill, through the Grenache block and over the Counoise, Mourvedre, Tannat, Roussanne, and Grenache Blanc sections, gives you a sense of the patchwork of vineyard contours, as well as how green everything is. The more gray-green foliage of the olives stands out clearly.

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While we needed this sunny January to get the cover crop growing and accumulating biomass, it has put us a bit behind where we'd hope we'd be in terms of rainfall. With the month almost over and no real signs of wet weather for the next couple of weeks, we're only at about 72% of normal rainfall to date. There's still plenty of winter to go, and plenty of moisture in the ground, but we're hoping for a wet February and March. For the winter so far:

Rainfall Graph 2019-20 vs Average as of January

Still, none of us are too worried. We've gotten enough rain to this point to have plenty of fodder for our sheep. There's lots more winter to come. And the sunsets? Those are a very nice reward.

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I've said it before, but I'll say it again. If you haven't visited Paso Robles in the winter, you're missing out. We'll see you soon.


Looking back with a decade's perspective on the 2010 vintage: a year of firsts

2010 was, in my opinion, the first vintage to show what we consider the "modern" character of Tablas Creek. The cool year meant that we picked with lower sugars and higher acids than we had most years before then. We debuted six wines, including the Patelin de Tablas and Patelin de Tablas Blanc, as well as our Full Circle Pinot Noir. And the range of wines included nearly every varietal we grow, and one (Cabernet) we mostly don't. So it was with great anticipation that we opened all our 2010 wines on Friday.

This is the seventh year that we've kicked off January with a "horizontal" tasting of the vintage from ten years before. (Horizontal refers to the practice of opening a range of wines from a single vintage, as compared to vertical, which would mean opening the same wine from a range of vintages.) Part of this is simple interest in seeing how our wines -- many of which we don't taste regularly -- have evolved, but we also have a specific purpose: choosing ten of the most compelling and interesting wines from this vintage to show at the public retrospective tasting we're holding on February 9th.  Ten years is enough time that the wines have become something different and started to pick up some secondary and tertiary flavors, but not so long that whites are generally over the hill. In fact, this year, the white wines were some of the highlights. The lineup:

Lineup of all Tablas Creek wines from 2010

A while back, as part of a look back at each of our vintages for our then-new Web site, I wrote this about the 2010 vintage:

The 2010 vintage saw healthy rainfall after three years of drought. The ample early-season groundwater and a lack of spring frosts produced a good fruit set. A very cool summer delayed ripening by roughly three weeks, with harvest not beginning until mid-September and still less than half complete in mid-October. Warm, sunny weather between mid-October and mid-November allowed the later-ripening varieties to reach full maturity. The long hangtime and cool temperatures combined to produce fruit with intense flavors at low alcohol levels. White whites display bright acids, good concentration and intense saline minerality.  Red wines show dark colors, spicy aromatics and granular tannins.

2010 saw our largest lineup to date: 26 wines in all, including six wines we were making for the first time, and a couple of others that we hadn't made in a few years. That's all thanks to the plentiful vintage, which allowed us to make some varietal wines that in other years would have been all needed for our blends. In the tasting we had 9 dry whites, 1 rosé, 13 dry reds, and 3 sweet wines. That's a lot more than 2009, when we were only able to make 15.

My notes on the wines are below. I've noted their closures (SC=screwcap; C=cork) and, for the blends, their varietal breakdown. Each wine is also linked to its technical information on our Web site, if you'd like to see winemaking details or the tasting notes at bottling. I was joined for the tasting by most of our cellar team (Neil Collins, Craig Hamm, Amanda Weaver, and Austin Collins) as well as by Viticulturist Jordan Lonborg, Tasting Room Manager John Morris, and Marketing Coordinator Ian Consoli.

  • 2010 Vermentino (SC): At first sniff the a little of the petrol/rubber cement character I tend to get in older screwcapped whites, but this blew off pretty quickly and rocky, briny, preserved lime notes emerged. The palate was gorgeous, fresh, with good acids, a little salty, with Vermentino's classic citrus pith bitterness giving balance to the fruit. Neil said it was "still a great, vibrant wine" and we all agreed.
  • 2010 Picpoul Blanc (SC): A distinctively Picpoul nose of dried pineapple, green herbs, tangerine, and an umami-like minerality that Amanda identified as nori (the seaweed wrapper around sushi rolls). On the palate, rich texture and a little caramel richness hint at its age, but with perfect balance for that weight and good acids it still felt very fresh and lively. Just a beautiful showing for this wine at a decade.
  • 2010 Grenache Blanc (SC): A nose of lemon and straw with a slightly volatile note that reminded me of Pledge. On the palate, a little older and less vibrant than Vermentino or Picpoul, with a little gentle ginger, some nuttiness, clean but a little neutral. A touch of alcohol showed on the finish. Still in solid shape, respectable for this wine that's known to oxidize young.
  • 2010 Marsanne (SC): Our first-ever varietal Marsanne. A spicy nose of mango and mandarin. The mouth is classic and gentle, with Marsanne's mineral, sarsaparilla, and buttered popcorn flavors. The low acidity and medium body give it a quiet character. I'm guessing that anyone who kept a bottle of this would be pleased with how it's evolved, but it's not (and never was) a dramatic wine.
  • 2010 Roussanne (C): After tasting four wines in screw cap, we all noted that we could taste the cork, even though the wine wasn't corky. Higher-toned than many vintages of our Roussanne, more medium- than full-bodied, it was refreshingly light on its feet, with green pear and graham cracker flavors and a little sweet oak. Reminded me in its restrained style quite a bit of our 2017 (more than more exuberant vintages like 2009, 2012, or 2014). Pretty.
  • 2010 Patelin de Tablas Blanc (SC; 50% Grenache Blanc, 33% Viognier, 10% Roussanne, 7% Marsanne): Our first-ever Patelin Blanc showed great, with pretty pineapple, preserved lemon, green herbs and wet rock aromas, a zesty yet rich palate with flavors of creme brûlée, kiwi, and lime zest, and a long finish that was at once tropical and bright. Just a great showing for a wine we assumed most people would drink in the first 24 months.
  • 2010 Cotes de Tablas Blanc (SC; 54% Viognier, 30% Grenache Blanc, 8% Roussanne, 8% Marsanne): A quieter nose than the Patelin Blanc, rich but reticent, with a little mintiness and some mild honey notes. The palate was more compelling, nicely viscous, with Viognier's rich texture and honeysuckle and guava notes. The finish was long, with good weight and honeydew and citrus pith notes. Still in good shape.
  • 2010 Esprit de Beaucastel Blanc (C; 60% Roussanne, 35% Grenache Blanc, 5% Picpoul Blanc): A knockout nose, with aromas of vanilla custard, sweet baking spices, lychee, honeycomb, and baked apple. Equally beautiful on the palate, like salted caramel but not sweet, with more apple notes and rich texture. Long, clean, generous and elegant. A great showing for one of our favorite-ever Esprit Blancs, at peak maturity but with plenty left in the tank.
  • 2010 Antithesis Chardonnay (C): Our next-to-last Chardonnay bottling, from a vintage whose cool character played well to the grape's strengths. On the nose, lots of sweet descriptors: cookies and cream ice cream, werther's caramel, cumquat, and anise. On the palate, still in a nice place, with candied orange peel flavors and a chalky texture that was fun to taste in a relatively low-acid wine. Drink up if you've got any left.
  • 2010 Rosé (SC; 59% Mourvedre, 30% Grenache, 11% Counoise): At this age, its nose showed more meaty than fruity, with a slight medicinal note our only complaint. On the palate, a little welcome bitterness like Campari, with cola and cherry flavors and saline notes coming out on the finish. Not really a rosé at this point, but if you thought of it as a light red wine, it could make for a really interesting pairing wine. 
  • 2010 Pinot Noir (C): Our fourth (and last) Pinot from the few rows of vines in our nursery we were using to produce budwood to plant at my dad's property for our Full Circle Pinot. The nose was grape with cola and milk chocolate notes, showing just a touch of oxidation. On the palate still quite tannic, a bit too much for our tastes, though the licorice and potpourri flavors were nice. A luxardo cherry character on the finish. Compared to the Full Circle that debuted that same year, less elegant and less fresh, and a good reminder of how different the Adelaida District and Templeton Gap AVAs are for this famously terroir-reflective grape.
  • 2010 Full Circle (C): Our first Full Circle Pinot Noir from my dad's property in the Templeton Gap. A more elegant nose than the estate Pinot, with chutney and dark chocolate, and a little well-integrated oak. On the palate, a good ringer for a middle-aged Burgundy, with cherry and gently meaty flavors, medium body, and a little minty lift. Some nice oak comes back out on the finish. Still in a great place, and probably still improving.
  • 2010 Counoise (C): A wow nose, youthful, spicy, and brambly, with raspberry, black cherry, and charcuterie notes. The mouth is velvety, with plum, chocolate and elderberry flavors and an appealing umami iodine note on the finish. Just a total pleasure, all the more remarkable for a grape that's not known to make wines for aging. 
  • 2010 Grenache (C): A sweet ganache milk chocolate nose, with a little alcohol showing through. The mouth isn't initially powerful, but the flavors of red cherry and cola are followed by some big tannins that felt to me a little out of place with the rest of the wine. Not sure if this is in a stage it will come out of (I suspect so) or if it's past its prime. 
  • 2010 Mourvedre (C): A lovely mature meaty nose of blackcurrant, leather, and soy marinade, with a little minty note lurking behind. The mouth is dark fruit and juniper, dark chocolate and sweet spices. Right at its peak, we thought, with enough chewy tannins to keep aging, but those tannins cloaked in fruit. Gorgeous.  
  • 2010 Syrah (C): The first time my wife Meghan tasted Syrah out of barrel, she described it as "butter in a butcher shop", which described this wine's nose perfectly. Additional aromas of soy, black pepper, and chaparral reinforce the darkness and wildness of the wine. The mouth is absolutely classic for Syrah, with blackberry fruit, chalky minerality, and still-substantial tannins. This is going to be great, but at age 10 is still a baby. Patience. 
  • 2010 Patelin de Tablas (SC; 39% Syrah, 36% Grenache, 22% Mourvedre, 3% Counoise): Perhaps not fair to taste this right after our estate Syrah, but it showed well, with aromas of pepper steak and a little mature earthiness. The mouth is medium-bodied and fully mature, with the Mourvedre showing through in its red fruit character and meat dripping character. Some tannins with Grenache's signature powdered sugar texture round out the wine. 
  • 2010 Cotes de Tablas (C; 46% Grenache, 39% Syrah, 10% Mourvedre, 5% Counoise): A nose of charcuterie, with a meaty saucisson sec character with smoked paprika and green peppercorn. Then, under that all, elderberry. The palate is more generous than the nose suggests, with licorice and black raspberry. The finish shows some tannic grip, with Worcestershire sauce and sweet Grenache fruit lingering. At peak, but no hurry. 
  • 2010 Esprit de Beaucastel (C; 45% Mourvedre, 30% Grenache, 21% Syrah, 4% Counoise): A mature Mourvedre-driven nose of red licorice, baking spices, cassis, and cocoa powder. The mouth was beautiful, salty, meaty, with its ten years of age showing in a nice way, the earthy flavors deepening to a truffly note. Mature and savory, with tannins resolved and perfectly integrated, and a long finish. I'm not sure that this will prove to be one of our longer-lived Esprits (I'd guess not, based on this tasting) but it's drinking great now.
  • 2010 Panoplie (C; 60% Mourvedre, 30% Grenache, 10% Syrah): Fresh and spicy on the nose, brambly, with deep red fruit and licorice. Youthful, with a nice minerality showing. On the palate, bright and absolutely on point, with menthol, juniper, and ripe plum flavors, and perfect tannin balance. Neil said, "give it another 10" and while it can clearly go out that long, it's also delicious now.
  • 2010 En Gobelet (C; 37% Grenache, 28% Mourvedre, 13% Syrah, 12% Counoise, 10% Tannat): Our first En Gobelet to take a majority of its production from our "Scruffy Hill" block, and so the first to include Syrah and Counoise. Spicy and a little dusty on the nose, with baker's chocolate, sweet tobacco, and menthol notes. Quite young still on the palate, with lots of nice dark chocolate and black cherry fruit and some still-substantial tannins that clip its expressiveness a bit. Seems to be still coming out of a closed phase, and likely to be better in another year or two, and to go out another decade or more.
  • 2010 Tannat (C): A notably different nose, clearly not Rhone. More cigar box and eucalyptus, with dark chocolate and Tannat's signature potpourri floral note. On the palate, more of the same, with bittersweet chocolate and tobacco and chalk minerality. Lots of tannin. Similar in many ways to the Syrah, still a baby at age 10.
  • 2010 Cabernet (C): We'd grown Cabernet for a decade at this point, just a few rows which were always thrown into the Tannat at harvest. In 2010 we got a larger crop and made 4 barrels on its own, and when it came to blending time couldn't bear to blend it away. So, we made 100 cases of this, and it's still electrically recognizable as Cabernet: spicy eucalyptus and sweet tobacco and blackcurrant aromas, dark fruit and chalky texture, and a little welcome lift from the limestone on the finish that marks it as not-from-Napa. I think we're going to show this at the tasting, because it's so distinctive and fun.
  • 2010 Petit Manseng (C): Our first bottling of this classic southwest French grape known for maintaining great acids as it reaches high (and occasionally extremely high) sugar levels, which we've made each year since 2010 in an off-dry style. The nose was a little weird, with a plasticky note that we variously identified as "new carpet" and "airplane", on top of pineapple, almond, and a grassy herbal note. On the palate, gorgeous, with fresh pineapple and fruit cup flavors, lots of acidity, and a little tannic bite that cuts the residual sweetness. Fun and unique. 
  • 2010 Vin de Paille "Quintessence" (C): Our 100% Roussanne dessert wine made from grapes dried on straw in our greenhouses. Absolutely luscious from first sniff, with aromas of creme brûlée and candied orange peel. The flavors were like an apple tart with caramel glaze, including the sweet pastry note that implies. Very rich texture, and just enough acidity to keep it from being cloying. The finish with caramel and marmalade notes went on forever.
  • 2010 Vin de Paille "Sacrérouge" (C): Our 100% Mourvedre dessert wine made from grapes dried on straw in our greenhouses. Unlike the Quintessence, the nose isn't particularly sweet, more forest floor, roast meat, eucalyptus, and dried wild strawberry. The palate is sweet but balanced by Mourvedre's chewy tannins, with salty brown sugar and sugarplum flavors and a chocolatey note on the finish. Still fresh and nice.

A few concluding thoughts

2010, with its combination of healthy yields, cool temperatures, and extended growing season, was unique in our previous experience, and tasting these wines was a different experience than the retrospective tastings we’ve done the last several years. Compared to 2007, 2008, and 2009, the freshness that came with this cool year was noteworthy at age ten, in the reds but particularly in the whites. We often think of ageworthiness coming from a wine's sheer volume, but this vintage did a great job of making the case that it's really balance that is the most important factor.

With the perspective of hindsight, the quality of our two main grapes (Mourvedre and Roussanne) really stands out. In that way, it's a lot like 2017, which is surprising given that 2010 was such a cool year and 2017 quite warm. But yields were about the same, and for whatever reason, it seemed like the same grapes (all the way down to varieties like Counoise and Picpoul) really excelled. It will be interesting to see whether we still think the same thing when we have a little more perspective on 2017. I really don't think that we have an older comp to 2010, as we were making bigger, somewhat riper wines in the rest of the 2000s, so where the wines go from here will be fascinating to see.

It's worth noting that nearly all of the wines improved in the glass, and I thought that most of them would have benefited from a quick decant. A lot of people don't think of decanting older whites, but I think it's often a good idea, and particularly so with wines that have been under screwcap. There's a clipped character that most older screwcapped whites have that dissipates with a few minutes of air. It happens anyway in the glass, but a decant would have been welcome.

Finally, we're going to have a great February 9th Horizontal Tasting. We'll taste the two Esprits, and the Panoplie, for sure. I'm leaning toward including Picpoul, Roussanne, Full Circle, Counoise, Mourvedre, Cabernet and Vin de Paille "Quintessence" as well, but want to compare my notes with the rest of the team, so that may shift around a little. Whatever the selection, I think it's going to be a treat. If you haven't reserved your seat, you should do so soon.


One last look back at 30 years of Tablas Creek, with legends

2019 was a year of milestones for us. We celebrated our 30th anniversary with a big party here and tastings around the country. We harvested three new grapes (Cinsaut, Bourboulenc, and Vaccarese) and finally achieved our goal of getting the fourteenth and final Chateauneuf du Pape grape (Muscardin) into the vineyard. One of the coolest experiences that came out of this was the retrospective tasting that we hosted here, where we tasted every vintage of our flagship red wine, from our 1997 Rouge to the 2017 Esprit de Tablas. We invited all the legendary Rhone Rangers winemakers we could contact to join us, and were excited that so many made the trip. And it was great to taste all those wines. But the highlight for me was the conversation in that room, listening to these friends and colleagues, many of whom have been fighting to establish our category for three decades or more, talk about the early days of the Rhone Rangers. It stood out to me that all of them talked about the arrival of Tablas Creek as a game-changing moment in the movement's history. The arrival of two families with such deep and established roots in the world of international wine was different than anything that had yet happened in the American Rhone movement.

After Neil and I had talked about those conversations for a bit, we came up with an idea. We invited a few of these figures to come and sit down with us on camera to talk about what Tablas Creek's arrival meant to them, and to the category that we all share. I'm proud to share the video that resulted. Huge thanks to Patrick Comiskey (Senior Correspondent for Wine&Spirits and author of American Rhone: How Maverick Winemakers Changed the Way Americans Drink), Bob Lindquist (Proprietor, Lindquist Family Wines), Justin Smith (Owner & Winemaker, Saxum Vineyards), and John Munch (Owner, Le Cuvier Winery).

The first thirty years of Tablas Creek were great. Thank you to everyone who helped us celebrate last year. And, if the last twelve months is any indication, what's to come is going to be even more exciting. Stay tuned.

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An Interview with Wine Speak Co-Founders Chuck Furuya, MS and Amanda Wittstrom-Higgins

We are blessed in the Paso Robles area with a remarkable number of world-class wine events. In addition to the three annual events put on by the Paso Robles Wine Country Alliance, we've been the home to Hospice du Rhone for two decades. WiVi has in the past five years become the state's second-largest trade show. And in the last three years, we've seen another amazing event come to our region. Wine Speak is a bit of a different take on a wine event, equal parts industry education and public showcase, celebration of the region and invitation to the world.

With the 2020 event just one week away, I had the chance to sit down with the event's two founders. Amanda Wittstrom-Higgins is VP of Operations at Ancient Peaks Winery, as well as co-founder of Dream Big Darling, a nonprofit dedicated to fostering the success of women in the wine and spirits industry. She recently appeared on the cover of Wine Enthusiast's "40 Under 40" issue. Master Sommelier Chuck Furuya was just the tenth American to pass the Master Sommelier exam, in 1988. He is a partner in and wine director for D.K. Restaurant Group, is a former Chairman of Education for the American Chapter of the Court of Master Sommeliers, and writes a monthly wine column for the Honolulu Star Advertiser. 

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How did the two of you come to work together on this?

  • Amanda: In 2017 we were having a conversation about hospitality and the advancement of offering world class service.  Chuck is a big fan of Paso Robles (and many other places) so I asked if during one of his upcoming visits he could dedicate some time to sharing his wisdom with our local wine community.  Hawaii is after all a culture built on hospitality and tourism.  I would never imagine that this one small conversation could lead to so many incredible opportunities for our industry and community.
  • Chuck: From my point of view, I recall Amanda asking me to come to a talk/training on wines for a few people. I then asked can we do more? She said like what? I don't think she realized what she was getting herself into. From that came Wine Speak!

What was the genesis of the idea behind Wine Speak?

  • Amanda: The idea was and still is to elevate our entire wine community by collaborating and sharing.  There is great power in joining forces and teaching the next generation.  We want to see the industry grow and flourish and to create a stage for producers and personalities who have something tremendous to
  • Chuck: Since I had been working with Amanda on a couple of projects previously, I kind of along the way understood that she would be key to the unfolding of the Paso Appellation. She has an innate gift of charm and is very articulate and really good at problem solving. I also think she has a lot of integrity and is very honest. In Hawaii, if it was not 12 chefs on all the islands, Hawaii regional cuisine never would've happened in my opinion   Because it was 12 chefs, it created synergy, camaraderie…… It really was a movement. That is what changed Hawaii culinarily. I believe in each wine region of the world needs a band of like minded winemakers that can create change.  Take for example, the gang of four in Morgon, Beaujolais. So with that in mind, Amanda would be the foundation in Paso, and I would look to source and invite winemakers/professionals from various parts of the New World -- both inside & outside expertise -- looking to share, talk story and learn. This would also bring new faces to the Paso Robles wine region to experience the climate, the soils, the wines and most importantly the people. 

For you, what was the highlight of years 1 and 2?

  • Amanda: The highlight of year one was developing the confidence in our concept and seeing the profound need in our community.  Year two was magnificent, we partnered with a new non profit, Dream Big Darling, and offered scholarships to up and coming sommelier’s from around the country.  These young people have become ambassadors for not so many producers they met over the course of the experience.  Watching them light up and discover something new was magnificent.
  • Chuck: For me, year one -- it was seeing Justin Smith of Saxum hanging out for two or three days with Adam Tolmach of Ojai. Two different growing regions, two different generations and two different winemaking approaches getting to know each other, hanging out and talking story. I thought that was magic and it made me proud. For year two -- it was watching an assistant winemaker taste the 2015 Faury Condrieu and seeing that candid sense of wonderment on his face as he switched and switched the wine in his mouth. Seeing the lightbulb go on was something that really affected me.

What new things are in store for 2020?

  • Amanda: 2020 offers a more global perspective and we are excited to host producers from Spain, France and Argentina.  We also enriched our “Grand Tasting” event to include producers from around the globe.  We wanted to make sure that all events were dynamic for our local wine community.  Being from a rural area, many people drink wines they make. However, in order to really stretch and grow we need to expose ourselves to new concepts and ways of thinking.
  • Chuck: First of all, this is the first year that we will be including people from faraway places such as Spain, Argentina and France. It was previously New World-centric. We believe this will add new dimension to insights, the questions, and discussions. Secondly, rather than having panels of two or three all of the time on specifically three of the panels we look to do mano a mano -- specifically with three wine Yodas: Bruce Neyers, long time master Madeline Triffon, and Lionel Faury from Cote Rotie. These three may not be commonplace names which many are familiar with. But for me they are three of the most incredible wine minds I have run across in my 40+ years of doing wines. For example, Madeline was the sixth American to pass the master sommelier examination. She was the first American woman. She was the second woman in the world. I believe that is saying a lot and will hopefully inspire young professionals that attend, whether they are female or male. She is the consummate professional and rose to the top of her field despite all of the challenges. She doesn't typically do on stage interviews like this, but I think we all agree it is an important time for industry to have some of the long-timers with wisdom come and share their thoughts insights and experiences, so that we can all remember what the craft is.

What makes Wine Speak unique as a wine event?

  • Amanda: Wine Speak sets itself apart from other wine events in a number of ways.  For one, it's small, there is enormous access to speakers, panelists and guest interaction.  In addition there aren’t many other events that are engaging; winemakers, distributors, growers, and trade.  We bring several parts of the industry together for a time of learning, and not just about one segment of the business.
  • Chuck: Back in the 1970s, I remember tasting a wine from Cote Rotie and wondering how the heck can man and God create a wine that's beyond grapes, oak barrels or winemaking? And if that is true, why can't we do this in the New World? I believe that through sharing insights, wisdom and experiences we can make a difference. So for the first year we had two Syrah panels. One was entitled "New World Syrah" and featured Bruce Neyers, Andy Peay (Sonoma Coast), Serge Carlei from Australia and Greg Harrington MS from Washington state. And the other was entitled "Central Coast Syrah" featuring Justin Smith (Paso Robles), Matt Dees (Jonata, Ballard Canyon) & Adam Tolmach (Ojai, Santa Maria Valley). It offered quite a scope of what Syrah can be. Year two featured Bob Lindquist of Qupe, Pax Mahle of Pax/Windgap Wines and Jason Drew of Drew Wines (Mendocino Ridge). For 2020, we are taking a whole new approach to Syrah and featuring Lionel Faury from the Rhône Valley of France. So that is a eleven very different perspectives on what the Syrah grape variety can be from eleven very well respected winemakers and from very different places!

If there was one thing that you hope people get out of coming to the event, what would it be?

  • Amanda: New ideas and friendships.  In life, ideas and friends are the most valuable assets.
  • Chuck: A few years back, when I was inducted to the Hawaii Restaurant Association Hall of Fame, it made me think of all of the people who have touched my life to allowing me to be where I am today. In almost all of the cases, they showed me a box. Then they said, "Chuck, look inside the box". After that they then asked imagine the possibilities. That is what I'm hoping Wine Speak can offer. To make people think differently. How can we effect change. How can we nurture sharing, camaraderie and collaboration so that we can move forward and make a difference.

Do you have dreams for future Wine Speak events?

  • Amanda: It’s hard to think about that right now.  As long as there is a need we hope to continue to bring forth an event that helps move our industry forward.
  • Chuck: Right now, we are focused on getting this one up and running in the next two weeks. Every year, we typically wait a couple of months before deciding if we are going to do another. Having said that, of course I have already have some ideas.

Chuck, what was your “a ha” moment that got you excited about Paso Robles?

  • It was a 1988 Cabernet-based red I tasted in San Francisco at a tasting. To me the wine had much more than fruit. It had an underlying minerality that was captivating. I knew then that I had to go see the vineyard.

Amanda, what’s the coolest thing that’s happened to you as a result of being named to (or on the cover of) Wine Enthusiast’s “Top 40 under 40” list?

  • Being named as 40 under 40 and making the cover was really special to me.  It’s incredible that the publication noticed our collective work and choose to highlight it, I am forever grateful and humbled by my team and community which makes it all possible.  I’m blessed to be 4th generation in the Paso Robles region and cattle rancher, I’m glad to carry the spirit of our history with my rope and boots in the picture.

What’s your favorite under-the-radar fact about Paso Robles or the Central Coast?

  • Amanda: The spirit of rugged terrain, a story of the land and people that is still being written, and a community that stands together. 
  • Chuck: The soils AND the people/community!

Acacia_productions-wine_speak-2019-0665-2

Although many of the seminars are sold out, there are still tickets available to the Wines of the World Grand Tasting and some of the industry events. If you haven't checked out this event, you really owe it to yourself to do so. If you attend, I'll see you there, since I'll be speaking on one of the panels this year, as well as pouring wines at the Grand Tasting!


2019's Most Memorable Meals

By Darren Delmore

After a year on the road selling Tablas Creek to many of America's coolest restaurants, it's time to sift through the photos of the most memorable feasts I've faced and my bloodwork analysis from the local laboratory. The bar for well orchestrated and flavorful cuisine continues to be lifted no matter which part of the US you're in, but I must confess I did not work the Dakotas in 2019.  Some of the restaurants I featured in last year's post were worthy of a return, but I wanted to highlight some new tasty terrain. As much as I love the extravagant plate I'm also a fan of casual simplicity, and thanks to the array of wines we produce, there's a bottle for everything in that spectrum, be it a boot-scooting steakhouse, ramen bar, or raw oysters at home. Warning: this will cause both hunger and thirst.  

Mamanoko, San Francisco IMG_1451

Remember when most American sushi restaurants had the most generic wine offerings (and massive corkage fees)? In San Francisco, this Marina-district gem has been flowing through Patelin de Tablas Rouge and some bright minerally European whites on their glass list for a refreshing change of pace. Our California distributor Regal introduced me to Mamanoko early in 2019, and the least I could do was open a bottle of Esprit de Tablas Blanc 2014 for the group to go with fresh simple sushi courses and crunchy rolls like these, as well as lightly seared albacore tataki. I looked around the crowded dining room and most tables were having wine instead of sake. (Warning: the chocolate chip cookie dough roll on the dessert menu was the best dessert I've ever encountered). 

Cotogna, San Francisco IMG_1502Holy Ravioli! Use the base of the wine glass in the upper right of the frame to size this monster up. Part of the Quince group, which has featured our wines on their Biblical wine list for years, their North Beach sister kitchen is churning out some classic and fun comfort food like this. I could've used this ravioli as a pillow halfway through it. 

ETTO Pastificio, Paso Robles

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Speaking of ravioli... Not only do I represent our wines, I work alongside our spirited shepherd Nathan Stuart to sell our biodynamic lamb to chefs, including the boutique pasta maker Etto in Paso Robles Tin City neighborhood. On social media I saw that Etto was handcrafting a limited batch of Lamb and Mint raviolis, so I rushed down and picked up one of the last bags in stock. Intended to feed four of us, my five year old daughter and I crushed the entire bag standing in the kitchen, just while tasting to see if they were ready or not! They needed nothing more than a drizzle of olive oil and a pinch of salt. 

Humboldt County Wine Guild IMG_1672

A platter of just plucked and shucked Kumamoto Oysters was how the Humboldt County Wine Guild welcomed me to their Monday night blind tasting group in April. There was a back up cooler that got devoured too, mostly while paired with Vermentino and Patelin de Tablas Blanc. Simple, saline and perfect.

Bibi Ji, Santa Barbara  IMG_1341

In February we joined the owners of Ember in Arroyo Grande for dinner at Bibi Ji in downtown Santa Barbara. With a cool India-meets-Santa Barbara menu and a wine bar aesthetic, we lucked into an older Grand Cru Alsatian Riesling for a relative steal, to pair with their notorious Uni Fried Rice.

Prince's Hot Chicken, Nashvillle TN

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My friends and family know that I can't do spice. So when our Nashville Vineyard Brands rep Melissa Wilkinson and I were killing time before an incredible ten course Tablas Creek wine dinner at Tailor Nashville, she drove me to Prince's Hot Chicken for lunch, which was profiled in a wild New Yorker article this year. Going with the flow so to speak, I asked Mel which option to go with. There was no spice, mild, spicy, or hot, and rumor has it the next level off menu spice option required a note from your doctor (for real) to even order. This pictured here was mild, and the flavor was so radical, so perfect in salt, heat and all things red, that I soldiered through it in awe, respect, and disbelief that I was even digesting such a thing.  

Amuse, Ashland, OR

AmuseI ended my year of travel in beautiful Ashland, Oregon, home to many of the vines we sold out of our nursery. Southern Oregon has done an incredible job growing Rhone varietals, and at this dinner at Amuse many local winemakers and industry turned up in gratitude for what Tablas Creek has provided to their wine country. We had sent an entire lamb up the week before to chef Erik Brown for the event, and this particular dish, listed as "Charcoal Grilled Tablas Creek Lamb Sausage, Kohlrabi-Tabouleh and Spiced Yogurt" was the digestible highlight of my year. Paired with Patelin de Tablas Rouge, it vanished within a minute's time. 

Hungrily looking forward to what 2020 will bring. Happy New Year!


Our Favorite Stories of the Decade

Eli Haas with Galets - LargeFourteen years ago this month, I kicked off the Tablas Creek blog with a story about a family visit to Beaucastel. It wasn't much of a story, just two paragraphs and two photos of our then-6-month-old Eli in the vines (right) and the winery there. But it was the beginning of something that has proven, 855 posts later, to be one of our most powerful communication tools, and maybe my favorite piece of what I get to do. Two years later, as I felt like my writing for the blog had hit its stride, I wrote a post with seven pieces of advice for other nascent bloggers. I still stand behind all those recommendations, but there's one topic I keep coming back to. That item:

Write about what you're worried about.  In a blog environment, the core of writing something interesting is picking a topic that can arouse emotions.  In general, the pieces that I've found most fulfilling to write (and which have received the most comments, a sure sign that they've engaged their readers) are the things that are keeping me up at night, like my frustrations over organic labeling requirements or my reaction to a writer calling all Tablas Creek's wines "conspicuously expensive".

The end of a decade seems like a good time to go back and identify some of the pieces that I feel like were most successful. They tend to correlate with posts that got the most comments, but not always. I chose some because I've heard from readers that they found them meaningful in some way, and others because I find myself going back to them for insight or to recapture a perspective that I had at a certain point in our history. Some were things that literally kept me up at night. That makes this (necessarily) a subjective list. But isn't that what a blog is all about? Here's a baker's dozen of the posts that have stuck with me, in chronological order:

  • In Search of a Green(er) Wine Bottle (January 2010). When I wrote this blog, I thought we were looking for a lighter-weight version of the big, impressive bottle we'd moved to two years earlier. By the time I was done processing my readers' comments, I realized we were looking for something quite different. Ten years later, we've saved more than 1.3 million pounds of glass.
  • Investigating an Attempted Wine Scam (June 2011). Until last year's tribute to my dad's life, this piece had received more comments (32) than any other. I shared an email that I'd received, broke down why it wasn't legitimate, and even traced what would have happened had I responded. It turns out the scammer had cast a wide net, and I heard from lots of other grateful wineries who'd received a similar solicitation. Readers have turned it into something of a chronicle of scams, posting new solicitations they receive as a warning to others, which makes it the piece with maybe the longest relevant life span.
  • A tale of two Grenaches (December 2011). This piece came out of a talk I gave at the always-wonderful Yosemite Vintners' Holidays, where I broke down the California acreage statistics for Grenache by county to offer a different narrative than one I had been reading. Yes, we've declined from 20,000-plus to roughly 5,000 acres, but all Grenache acres are not created equal!
  • A great dinner, an amazing restaurant, and a wine that marks the beginning of Tablas Creek (May 2012). Maybe my favorite post ever, where Cesar Perrin and I stumble across the bottle that marks the first collaboration (in 1966!) between the Haas and Perrin families, and I discover its history. 
  • The costs of state alcohol franchise laws (April 2013). I always enjoy the posts that shine a light into the labyrinth of legislation a winery has to navigate to get its wares to market, and this was a favorite one. I still refer people -- many of whom have no idea that wineries are denied something as basic as the right to choose who represents you in a state -- to this piece, and every word is as true now as it was seven years ago.
  • Vintage Hollywood (January 2014). I felt like I was out on a limb with this blog, where I picked a male and female Hollywood star that I felt embodied the personality of each of our recent vintages. I'm not sure if it was fun or just nuts to match actors from Denzel Washington to Daniel Craig, Angelina Jolie to Julianne Moore with vintages, but I did it, and I've heard from lots of people since who told me it struck a chord.
  • Are direct-to-consumer sales really failing to lift the wine industry? (August 2014). I saw the headline "Direct to Consumer Sales Fails to Lift the Wine Industry" in a major industry journal, and took exception. Just because someone is given a platform in a major trade journal doesn't mean they actually understand the business from every perspective.
  • State of the Union, Wine Shipping Edition (January 2015). In honor of the real State of the Union, I broke down the 51 markets we ship to by tier, from relatively straightforward to incredibly convoluted and expensive. I always try to make sure posts are topical and timely, but only succeed to this extent a few times a year. If you think that wine is a free market product, read on.
  • Customer Disservice: Nine Lessons from a Terrible Hertz Experience (June 2015). Sometimes, it's a choice between laughing at something frustrating and hitting someone. I was really happy with how I managed in this piece to tie a roughly chronological account of a customer service debacle I experienced with some useful take-home lessons for businesses, and even got a Seinfeld clip in there.
  • A 60 Year Career in a Bottle of Delaporte Sancerre (January 2016). I could have picked several pieces by my dad, but my favorite was one of his last, reflecting on opening a bottle of wine he'd first encountered (many vintages earlier) on his first buying trip to France. That same day, I'd been in the audience to listen to the original proprietor's great-grandson present the estate's newest wines to Vineyard Brands, the company my dad founded.
  • Should a Vermentino ever get 98 points? (June 2017). I don't talk much about press on the blog. By and large, it's not that interesting. We share it on Facebook and Twitter, post a link on the relevant wine's page on our Web site, and move on. But this score got me thinking about glass ceilings for certain types of wines, and I spent an afternoon sending queries into the Wine Spectator's review database to try to figure out the extent to which variety limits scores, and share what I found. 
  • Direct Shipping is not a Zero Sum Game (August 2017). We sell roughly the same amount of wine direct and through wholesalers, and I work hard to make sure that everyone feels treated fairly. But I feel like I spend an inordinate amount of my time pushing back against the knee-jerk reaction from many players in the wholesale world that direct sales are competition. To illustrate, I shared our sales data from ten states that recently opened to direct shipping. In the first two years after they opened, our wholesale sales rose 52% on average. Why? Fan cultivation. 
  • Robert Haas 1927-2018: A Life Well Lived (March 2018). This tribute to my dad got more comments (35) than any other post. I hope I was able to share some of what made him special.

For those of you who have been regular readers of the blog over recent years, thank you. I am honored and humbled that other people find this crazy project that we've now kept going for thirty years interesting enough to want to read my thoughts. If you have pieces that particularly stuck with you, for whatever reason, or that you found valuable, please share in the comments.


No, 100% tariffs on European wines won't be good for California wineries

This morning, I submitted comments to the Office of the US Trade Representative, in opposition to the threatened 100% tariffs on European wines that could be imposed as soon as February of 2020. While I believe in an open market and am (like most of the people I know who work for domestic wineries) a lover of wines from around the world, it wasn't for that point. I am convinced that these tariffs would have severely disruptive effects on the whole system that has been legislated to provide a pathway between wine producers, like us, and the consumers who eventually want to buy the wines.

Patelin Rose pallet behind bars
I'll share my comment, and then add some additional thoughts at the end of the blog.

December 23, 2019

I am writing to you to argue against the proposed 100% tariffs on European wines. As a partner in and General Manager at a California winery that just celebrated its 30th anniversary, it might seem surprising that I would opposed these tariffs. But I believe that the net effect that they would have on California wineries would be negative.

We sell about half our production direct, and half through a network of state-licensed wholesalers. This distribution system is mandated by law and known as the “3-tier system.” A producer like us cannot sell directly to restaurants and retailers in other states, and our ability to sell directly to consumers, while growing, is still restricted. So, our success is dependent upon the health of this distribution network. None of the 50+ distributors that we work with represents exclusively domestic wines; all have a diverse portfolio including wines that will be impacted by the proposed tariffs. Many get the majority of their business from European wines. For those distributors, the proposed tariffs amount to a death sentence. Sales will fall, in most cases dramatically, impacting their ability to represent our wines. In my experience, distributors react to the loss of a major supplier (a similar impact to these tariffs) by attempting to source new wines for their portfolio, rather than by selling more wine from their existing suppliers, many of whom are unable to increase production in the short term. If they do look for wines from other parts of the world, they will inevitably be distracted by the massive task of finding these new producers, integrating them into their portfolio, and educating their sales team on their new items. That will mean less focus for us, not more.

What’s more, the rising number of “franchise” laws, currently affecting wine sales in about 20 states, means that we don’t even have the freedom to leave a distributor who isn’t performing well (or isn’t able to maintain their sales team and delivery schedule because of a market disruption) to find another who could do a better job. In nearly half the country, if the work of our legally-mandated representatives is impacted by these tariffs, we have no recourse. Beyond the impact on wineries and distributors, other related businesses will be caught in the crossfire. Restaurants are famously low-margin businesses anyway. Increasing the costs of their wine programs will push some out of business, further reducing outlets for our wines. Wine retailers, too, including both independent and chain outlets, will be forced to source different wines (which comes with its own costs) or double the costs of their inventories. And American consumers will be faced with higher costs and fewer choices for products that they would like to buy, leaving less disposable income in their wine budgets.

Why wouldn’t the wine community just switch its sources to other, non-tariff countries? Wine is not a commodity, where a customer can simply swap in a wine, even one made from the same grape, from one part of the world for another and expect them to be comparable. Wines are products inextricably tied to the place in which they are produced. And the disruption of 100% tariffs on wines from the world’s oldest wine regions would have cascading impacts that would reach deep into a whole network of American businesses, investors, and consumers.

Even those of us who make wine in California.

Respectfully,
Jason Haas
Partner & General Manager
Tablas Creek Vineyard
Paso Robles, California

I'm not sure that most consumers realize how little option wineries have to get their wines to markets around the country. In most cases, it is neither practical nor legal for us to sell to restaurants and retailers directly. So, we have relationships with distributors in each state. These distributors are licensed by their state to purchase wine from suppliers (domestic wineries like us, and importers of wines from other countries) and to then in turn sell those wines to restaurants and retailers. Restaurants and retailers are licensed to sell the wines to customers. While a string of court decisions and state law liberalizations have allowed us to ship wine directly to consumers in many states, nearly a third of what we sell to consumers for home consumption, and essentially 100% of what we sell to restaurants, passes through these various distributors. 

Every one of the 50+ distributors who sells our wine also sells wine from countries around the world. Every one. There is no such thing, in my experience, as a domestic-only distributor. And for many of these distributors, a majority of their sales comes from European wines. These distributors would be devastated by tariffs that would slow that segment of their business to a trickle. Distributor salespeople, who are paid by commission, would see an immediate decline in their standard of living. Distributors would likely result by cutting sales staff and increasing the number of accounts each salesperson called on, reducing their ability to interface with accounts and sell the other wines in their portfolio.

But would there be a larger piece of the pie for California wineries? Not much of one, I don't think. At the low end, the likely substitute for European wines would be wines from other New World countries, like Chile, Argentina, and Australia, all of which do better in the under-$15 segment than American wineries. At the high end, there is really no substitute. An Oregon Pinot Noir isn't going to smoothly replace a Grand Cru Burgundy, nor is a California Nebbiolo going to replace a Barolo. High-end wines aren't commodities produced by formula from specific grapes, that could be grown anywhere. The places that they come from are inseparable from the wines' identities. My guess is that at the high end, there would be a period where restaurants and retailers scavenge inventory from warehouses around the country, and then sales would just decline as people wait and hope the tariffs are rescinded. In the middle? I'm not sure. There might be a few additional opportunities for wineries like us, but I doubt that these would amount to a net positive given the disruption in our distribution network.

What's more, I think there's every likelihood that European countries would retaliate with tariffs on American goods, including wines. While export markets aren't a huge piece of our business, they've been growing in recent years, and European countries like Germany, Denmark, Sweden, and France have been leading that growth. I would expect that piece of our market to disappear, as has our Chinese market since that particular trade war began a few years ago.

All of these economic costs are bad enough. The human costs would be worse. While our business would likely be OK, thousands of American jobs at restaurants and distributors would be at risk. The American consumer, who enjoys the world's most dynamic wine market, would see increased costs and decreased selection. And the cost to the European farmers and winemakers, many of whom have been farming their lands for centuries, would be heartbreaking.

What can you do? Submit a comment in opposition to the proposed tariffs:

Will it matter? There's no way to know. But the more voices they hear from, the better the chance.


Can rosé wines age? It depends on the grapes they're made from.

Over the weekend, I saw a really nice review of our 2017 Dianthus Rosé on Kerry Winslow’s Grapelive blog. I found it interesting that Kerry, although he loved it, felt like he needed to address it being a 2017, adding the comment that it "is last years wine, but still vibrant and the maturity hasn’t slowed down this fabulous wine". I don't think you'd find a caveat like this for a white wine, and a 2017 would be considered maybe even too young to drink for most reds. But it gets at a common perception of rosés: that they need to be drunk the year that they’re released.

Is it true? There are definitely some, maybe even many, rosés for which I'd say yes. But, and this is important, like reds and whites, the grape(s) that the wine is made with matters. The dominant model for rosés is that of Provence, which is based on Grenache, always an oxidative grape, and they tend to have very pale colors from minimal time in contact with the skins. In the cellar at Tablas Creek, we are careful to keep even red Grenache away from too much oxygen. We ferment it in stainless steel or large wooden tanks, and avoid 60-gallon barriques (what you probably think of as a “normal” wine barrel) for aging. And you'd expect a rosé made from Grenache to have a shorter aging curve. Tannins act as a preservative in wine. So, if you start with Grenache, already an oxidative grape, and pull it early off the skins, which are the source of a wine’s tannins, you're likely to end up with something that’s even less resistant to oxidation. My experience with most Provence rosés (and the American rosés that are modeled off them) bears that out. The wines are at their best the summer after they’re made. The best ones are still good the next summer, but they’ve already started to fade.

But it’s equally important to remember that Provence is not the world’s (or even France’s) only rosé tradition. Bandol, arguably the source of the world’s greatest rosés, uses Mourvèdre as the lead grape. And Mourvèdre is a very different beast from Grenache. In our cellar, we do everything we can to make sure we get Mourvèdre air. We ferment it in open-top fermenters. We age it in oak, and still have to make sure to rack it fairly often so it doesn’t get reductive. Some of that comes from Mourvèdre’s skins, but not all does. And it's worth mentioning that, depending on how your rosé is made, it's going to get at least some of the tannins (and their powers of preservation) from the skins. In the case of our Dianthus, the juice spends between 24 and 36 hours on the skins, giving it a deep pink color and providing a hint of tannic bite that brings counterpoint to the wine's lush fruit.

Two roses for Nov 2019 feature

I remember learning, to my surprise, that as recently as a decade ago many Bandol estates didn’t even release their rosés until the fall after harvest, because they felt that the wines took that much time to really open up and come into their own. I don't think that happens much any more. Producers in the (dominant) Provence model compete to be first into the market in the springtime to lock up the lucrative summer rosé placements, which has created a market and consumer expectation that you want the newest, freshest rosé you can find. That means that for a tradition like Bandol, even if the wine is better in the fall, a producer is likely to make a market-driven calculation that they should release the wine early.

Although the growth of the rosé market has meant that it's more of a year-round item on wine lists, there is still definitely a rosé high season in the spring and summer, and restaurants and retailers all look to feature the newest vintage. So, there are three significant disincentives against fall releases. First, you're releasing a wine into a market that is saturated with earlier releases (many of whom are likely looking to close out any remaining inventory with deep discounts). Second, you're releasing a wine into a category that is going off season. And third, by the time the season opens back up in the springtime, you look like old inventory compared to the new crop of the next year's rosés.

But those market realities don't change the fact that the fall release tradition gets at something important about rosés made from these oxidation-resistant grapes. They improve in bottle, are likely just reaching their peak in the cooler fall and winter seasons, and can be just as good or even better the next summer. Their deeper flavors also make for better matches with the richer foods of chillier seasons.

Dianthus in the snow

That’s why seeing a review like this for this wine makes me happy. It recognizes that these rosés can improve with time in bottle, and can be great winter wines. In our tasting room, we switch in October from showcasing our Patelin Rosé (which we poured for guests in spring and summer) to our Dianthus, which we'll continue to feature through the fall and into the winter, as long as it lasts. It also helps people learn that rosés are not a uniform category, and different base grapes produce different profiles and different life paths, like with reds and whites. For all the growth of the rosé category, the idea that rosés can be diverse is still something that’s not well enough understood.


Six inches of rain in two weeks begins the vineyard's winter transformation

California, when it rains, is a paradise. The landscape transforms from stark browns and golds to something softer, with blurred edges. Green appears, seemingly overnight, as grasses and broadleaf seeds that have been waiting for moisture sprout and push leaves above the surface. Puffy white clouds appear in the sky, which has unbroken blue for months at a time in the summer. The images aren't the same as those that summertime visitors love, but for me, they're even better. I'll share a few of my favorites from a vineyard ramble this morning:

Oak tree in the vineyard with fog

You can see that higher up in the vineyard, where this Counoise block is, we still have leaves on some of the vines. Although we've had several nights where our lower-lying areas have seen frost, we haven't had the hard freeze that will force the vineyard into dormancy top to bottom yet. This lower section is more representative. I particularly like the green that has already appeared:

Green grass and fog

The total lack of moisture in the summer has its own appeal, but the fog does give a better sense of distance, settling in the undulations of the hills:

Green grass rolling vineyard

The rain did us the favor of cleaning off our solar panels. Their modern regularity makes for a nice contrast with the sky and landscape:

Solar panels vineyard truck and blue sky

The rain itself came in nearly ideal distribution. Up through November 25th we'd seen zero precipitation this winter. In the 13 days since, we've had measurable rainfall 12 of the 13. But it was generally modest. We only topped one inch once (1.47", on December 4th). Five other days saw between one-half and one inch. And very wet days tended to be followed by days with less rainfall, allowing everything to soak in:

Rainfall Graph

So far, for the winter, we've totaled 5.88", which puts us at about 125% of normal at this point in the rainy season. Given where we were a month ago, that's pretty encouraging. It's also some validation to the research I did after that blog, which suggested that a dry beginning to the winter was only slightly correlated with a dry winter

What's next for us? A week, more or less, of sunny, dry weather. That's perfect, as it will give the new green cover crop a chance to get some growth in before the next rains come. After that, it's anyone's guess. Long-term predictions are still for a slightly drier than normal winter, but I feel a lot better about things given what we've banked already. As the mud on my boots suggests, there's plenty of moisture to work with, for now.

Muddy boots

I'll leave you with my favorite photo of the morning, sun partially obscured by the fog, solar panels in the foreground, olive trees and vineyard truck in the middle ground, and vineyard sloping away down toward Las Tablas Creek in the background. The fog has since burned off, but I look forward to more moisture over the coming days.

Solar panels vineyard truck and fog